Tag Archives: Indy Writers

Great News! KDP FINALLY reveals your historical sales!

Not sure if you noticed (the savvy among you probably have), but KDP quietly rolled out their new reports format!

I’ve wondered since I started with Kindle Direct Publishing why they could not plot out the master sales list for the titles Indies publish. Not only would it make for great nostalgia during those cold, isolated months of dead sales, and drive writers forward after seeing that, yes, there once was a day when you were knocking it out of the park (regardless of numbers; in this day and age, all readers are precious readers, in my opinion), but it’s important to be able to look back and see what you’ve accomplished in total.

At least, my accountant thinks it is.

Well, wonder no more!

screencap new archived database KDP

KDP’s new Historical Report gives you every single sale monthly since you started publishing, and every single KOLL page read. This enables you to accurately track total sales, identify trends, and total your copies sold and free titles distributed since the dawn of KDP-time.

The new format also sets up by sales period, and lists all royalties earned by country in total, which immediately gives you your best selling countries. The report still offers the month-to-date tables, but now provides a payments and pre-orders tab, all  in one header.

Slick, easy to use, and all in one place.

A huge development for Indie writers everywhere!

Stop looking at my short blue poles. I was busy writing.

Go check our your new KDP report page! What do you think of it?

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My Fantasy Anthology is Underway, and it is a Heavy, Dark Thing.

UPDATE:

Three short stories in the can, three others ready for the editor, and six more in various stages. My next release, an anthology to introduce the world of my fantasy novel, is setting up nicely. Twelve stories so far, each set in this new medieval world of shadows and emerging war. Here’s the finished (but nothing’s ever really finished) prologue:

The Maw of War has opened.

After a century of peace, the world is being twisted and bent by the ruthless egos and dark ambitions of man.

Across the Eastern Sea, a horde of monstrous evil drives the brave Dwarven warriors of Wendthairne into the ocean in a desperate flight for refuge, hoping for solace from their former enemies, the long-silent Elves of Ahmrael.

The north of the Realm has frozen into a wasteland. Deep in the ice-encased mountains of North Elan, creatures stir that the world has never seen. Their hunger for ruin is absolute as they are borne from the shadows, seeking to bleed humanity. Enslaved by a new God, they exist only for his revenge and the destruction of mankind.

In the west, Archduke Lierdstiern schemes for the fall of a nation and the usurping of order. His swelling ambitions seduce him to concert with madness under the corrupting power of a new religion. His lies and merciless drive seduce him to new depths of unspeakable evil.

The kingdom of man, tethered together by the dream of peace in the Hall of Kings, is crumbling. Betrayal and deceit erode the carefully constructed foundations of a centuries’ serenity.

Darkness shrouds the evil work of deceit and murder. Horror and madness are creeping out from under the shadows of the night.

The Age of Peace is dying.

The door to ruin has opened. These are the stories of the destruction of hope. The seduction of sanity. The revenge of the forgotten. The wrath of bones.

The Wrath of Bones will be available this November.
Probably.
Meanwhile, I’m approaching the halfway point (Chapter Nine, Scene One) of To Drown in Ash, the sequel to Sand. Issep and the Boddies are in desperate times, surrounded by imminent death and unrelenting evil. The sequel has a much darker tone. The central theme emerging is loss.
Ooh.
THAT sounded foreboding.

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Achievement Unlocked: You Have an Editor!

About a year ago, I stumbled over a title minnowing through my newsfeed. It was a free promo, and the description intrigued me, so I downloaded it. The book was called Sweet Violent Femmes by Holly M. Kothe, and it was one of the best Indie products I have ever, ever seen.

I ripped through the book in one night. The theme throughout was the violent revenge of several women scorned. The tone and the writing left me stunned. I love dark fiction that makes me uncomfortable. Holly’s setup for her characters, how vulnerable they were, how driven and intent they were, were the perfect recipe to keep me locked in her pages.

I remember thinking that I wanted my work to read like that. For my books to be packaged that professionally. I considered Holly’s collection of short stories my benchmark.

Holly recently sent another minnow down my newsfeed. She had started an independent editing business. I wondered if this would be the chance for me to climb the writer’s stairs and improve my work. To get it closer to my expectations. It was time for me to take that next step.

I scrounged my lunch money and emptied my writer’s account and borrowed change from my son. (Not really, but almost). I had no idea how much Holly would charge me for her work. I knew that editors are ridiculously expensive and meant only for the marble halls in New York and Who-do-you-think-you-are-anyway-having-real-writer-expectations-of-yourself?

I looked into Holly’s site. Read the reviews by other writers. Counted how many writers she had edited. I studied their covers and Amazon pages. I narrowed my eyes a lot. These were pro writers with solid covers and there were a lot of them.

I sent off the manuscript to Holly on May 6th . I received my contract and bill for half of her (VERY reasonable) price that afternoon. I signed the bill digitally, pressed send, and left the rest to the will of the Gods.

I had the edited manuscript back in my digital hands on May 13th, and the invoice for the rest of her fee.

Eight days.

Eight.

Her work on the manuscript for my short story was exactly what I had hoped for. She was supportive, objective, clinical, and precise. I could not be happier with her work. With her edits and her suggestions for certain story flow mechanisms, Upon the Devil’s Shoulder reads like a polished, professional work.

And I’ve already finished anther short for the anthology to send to her.

See, because that’s what I’ve learned. How it works when you don’t self-edit, and leave that up to the pros.

You can just go write.

A LOT.

It’s a tough lesson to learn. I know not everyone is in the position to afford an editor. But, after spending 2 years rewriting To Drown in Sand (AFTER it’s been uploaded), when I could have used that time writing its sequel, I can no longer really afford not to. And I’m pretty confident, after seeing what this short story is becoming, that the result in quality will help me afford access to Espresso Editor a lot faster.

I did not for a moment experience the insecurity/protective instinct that I’ve had in the past. Having read Holly’s work, I knew THAT was what I wanted my work to look like. In a way, she is her own best promotion.

And I genuinely feel that I’ve stepped to another platform: from hobby writer to the real thing. Once you’ve read Upon the Devil’s Shoulder, you may agree with me.

If you’re an Indie writer, and are considering going to an editor, stop. Don’t consider it. Go do it. And one of the brightest young women you could ever hope to find will edit your work quickly and quietly at Espressoeditor.

Just don’t get her too busy. I would now be lost without her.

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What KDP Select taught me.

Kindle Select offers quite the pull. As in, towards the Death Star kind of pull. I wondered. I agonized. I rubbed my knuckles on the bones of my forehead. The seductive potential of larger markets tapped at the glass in my dreams.

Giving up other publishing venues for exclusive access to the Kindle Select pool makes sense to the hungry-for-reader writer in me. (Also, making money from someone reading 30% of my work, when the work can be a short story, REALLY made sense).

So, I ran an experiment in KDP select.

The results were poignant and huge.

Like the Titanic.

I wrote a (quite) short story, thinking that the 30% point would be quickly reached by a reader, and then no big loss if they quit after the first page (a theory of mine about free sample readers). I could still reap the benefits of the zillions of dollars in the KDP fund.

Yeh.

Not so much.

I’m not the type to whine. This was a marketing experiment, and I’m glad I dipped my toe in the Kindle Select pool. And, there were inherent process issues against me. I’m an Indie. I’m an unknown. The story may have been too short (although, I thought, for free under a Kindle Select membership, that wouldn’t matter). But in this pool, a shark took my toe, my leg, and pooped them out in the deep end.

I also wanted an opportunity to start my fantasy writing. I find that genre has a wider base than the Military Sci-Fi market has for my other work.

All this knowing that I still have not completed the ‘magic number’ acknowledged by most successful Indies by my research: Three Full Novel Titles In My Genre.

Bone was released on Dec. 20th, 2014. It contained about four pages of promotional material, with links to my other writing, and about four pages of story. It has an awesome cover by the brilliant Dylan Edwards, and, in my humble opinion, is really quite good for a short.

Bone cover final

My free short story, Juris Lunence, had been enjoying at the minimum a download every day that led to one purchase of either Upon a Wake of Flame or To Drown in Sand every ten free downloads.

On December 21st, 2014, all downloads of Juris stopped dead and have never recovered.

I thought it was a glitch, or lead-in to Christmas, or celestial working of ancient, playful, blind Gods.

But, no.

All of my work over 2 years digging through The Algorithm in KDP was undone in one night by signing up to Kindle Select. And, to challenge my sanity even further, I was now locked in for three months.

KDP Select destroyed the momentum I had built with my other titles. Free DL’s flatlined, and only now, FIVE MONTHS later, has the ‘once a day a new reader finds me’ process staggered back out of the KDP Select Sales Shredding machine. It’s wobbly and bleeding, but has started taking baby steps for me, as long as I promise not to do that again.

No problem with that commitment.

Because, after 3 months, Bone obtained ONE download.

One.

And that person did not read the required 30%.

So, lesson learned there. KDP Select is not the system for me. At least not now, and not for my work in the Fantasy Genre.

Bone is now released from the KDP Select isolation chamber. Amazon refuses to price-match it to free (like they did for Juris Lunence), so I gave it the cheapest price they allow, and left it on Amazon. It’s completely free on Kobo.

So, from all things, lessons.

KDP is great for some. Not for me.

I got the coolest new cover yet out of the deal.

And, during my promotional blitz, when Bone ran for free, it was downloaded in Japan, so we cracked another country.

We are retrofitting the cover, and I’m hard at work on several short story projects (more on that in future posts) that is a construct for an anthology to introduce my fantasy novel series.

Bend bad things into lessons, use lessons for good things.

Such is life.

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Of Evolving Covers, Convergence, and How Lucky I Was To Meet Dylan.

Large things start small. Like seeds in the dark. I met Dylan Edwards in Grade Eight. He had hand-drawn comics spilling out of his saxophone case that I handed back to him. Talk about epic moments in time. We were the two biggest nerds consistently from then until we graduated. Nerd legends for our hobbies, interests, and isolation. We were instant brothers, kin in suffering the glacial pressures of growing through adolescence.

We started a comic company in grade nine; and we were the guys play-testing our Zombie Apocalypse role-playing game in study hall during exams. We rolled our eyes and ignored the jibes of the typical detractors through it all, with eyes locked on one another; that precious psychic bond of survival. He went on to become one of the best fathers I’ve ever been privileged to know, and the best friend a man could ever wish for.

He also became an incredible artist. Despite my constant, frantic texts, emails, mistakes, dysfunctional uploads, and endless problems, he remains, as always, stoically patient, and everwise. And waiting for his new cover drafts is better than Christmas. His idea for the cover for my new prequel short story, Juris Lunence, blew me away.

Here’s the first draft:

 

Juris cover 1 draft

 

And the final version:

 

Juris 2nd draft covr

 

Once you’ve read the story, I think you’ll get just how awesome this image really is. At least, it flattens me pretty effectively. Crazy to think how small things like me grabbing a dropped piece of drawing can turn into such things. Reminds me to keep looking for them.

Juris Lunence is available for free on Kobo, and, as soon as enough people tell amazon they are being undersold, free on Kindle as well.

 

~B.

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To Hold in Hand Completion.

Everybody does this now. I hate to be everybody. But there’s nothing else like it, and now I get why.

The first unboxing. The birth of the Galley, and the delivery into your hands.

One very, very surreal moment.

Wow.

The hand stops a-tremble when the eyes read the words.

The hand stops a-tremble when the eyes read the words.

600 pages of work. Sitting in your hand.

Now THAT’S why we do this.

Please forgive me while my innards glow.

 hard copy
If you’d like a copy for your very own hand, here’s where you can get one:

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The excitement of release. (Wow…that could sound so wrong).

Well, that was fun. We cringed, we howled. I revised and rewrote, interviewed soldiers and rocket scientists, went back again and again to the keyboard until we all agreed that it was ready.

It’s ready.

It’s done.

The short story prequel to this November’s To Drown in Sand is up and live.

It’s called Upon a Wake of Flame, and it is now up for sale.  The link is here, and on my sidebar.

http://www.amazon.ca/Upon-Flame-Lunen-Regiment-ebook/dp/B00ELP2LOS/ref=sr_1_1?ie=UTF8&qid=1376759899&sr=8-1&keywords=upon+a+wake+of+flame

Upon a Wake of Flame was supposed to be a promotional piece that served as a test for the upload and editing process. It evolved into so much more; an invaluable lesson in writing, revision and completion.

And as always, Dylan’s cover and design are incredible.

Upon a Wake of Flame is available on Amazon and Kobo E-Books for $0.99 Canadian. If you enjoy it, please rate it and post a review.

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